The idea for this exhibition developed out of a desire to explore specific segments of the colonization of America as represented by the artists painting during those periods. We have begun the series with a survey of the majestic and rugged landscapes of the mid-nineteenth century. This group affords us an early glimpse into what is now a rapidly diminishing wilderness. The atmospheric quality of light, the endless stands of trees, the pure mountain streams, and bountiful wildlife and vegetation – these are the elements of nature that have been so accurately illustrated. The next group of paintings review the life of the Zuni and Hopi Indian tribes of New Mexico in the 1890’s. These paintings, by Frank Reed Whiteside, bring the culture of the Southwestern Indian to life through a narrow focus on their daily rituals. They conjure up the heat of the desert and reveal the true pioneering spirit of these people. In 1921 and 1922, Martha Walter painted a series of works that memorialized the era of immigration into America. In this section, we see the exciting mélange of many cultures. The eager anticipation of a new life, in a land of freedom, is the pervasive theme of this period of growth and development in our nation. These foreigners battled the odds and managed to persevere and establish themselves as proud Americans. The concluding segment of this exhibition relates to life in New England, primarily along the coastal areas, as it has evolved through the twentieth century. Represented here is the refinement and elegance of modern day beach and harbor views. The lofty breezes and gentles mists portrayed here evoke the carefree feelings of the peaceful shore. These paintings serve to remind us of the more tranquil and relaxed retreats that have become so vital to our existence.
